Notes from the Studio
Creative thoughts, behind-the-scenes, and the slow craft of making images that mean something.
Featured Post
There is something about wet streets at midnight — every lamp becomes a brushstroke, every reflection a second photograph. This is the story behind a recent series shot over three rainy nights in November.
Why I treat post-processing like mending broken pottery — every crack is a place to add gold.
The simplest still life can take six hours. Here's how the 'Last Bloom' shoot actually happened.
What changed between January and December — and what didn't.
Most of a great frame is what you choose to leave out.